23 September 2011

In My Eye

In my eyeI'VE COMMENTED BEFORE on the episode where the Buddha speaks to Bāhiya in a post entitled "In the Seen...". He begins the famous speech with: "in the seen, only the seen; in the heard only the heard...". This is somewhat cryptic, but I noted that I had found another sutta which acts as a commentary on the Bahiya incident: The Māluṅkyaputta Sutta is in the Saṃyutta Nikāya (SN 35.95 PTS: S iv.72).

My translation of part of the text says:
Having seen a form with mindfulness [sati] forgotten,
attending to the delightful appearance;
Experiencing an impassioned mind,
and remaining attached to that;

In him numberless sensations multiply from that form,
Covetousness and worry impair thinking.
Thus suffering is heaped up and nibbāna is said to be remote.
The gist is that without mindfulness, delight in the pleasures of the senses overcomes our minds and our minds are impaired. As a result we heap up suffering and are unlikely to be liberated - we will remain in thrall to pleasure seeking. Those who are mindful, do not delight in the pleasures of the senses, do not heap up suffering, and for them nibbāna is close.

In contemporary Buddhist presentations we usually find the idea that there is something other than the "seen in the seen" attributed to Brahmins. Compare the text above with this passage from the Chāndogya Upaniṣad (CU)
atha yatraitad ākāśam anuviṣaṇṇaṃ cakṣuḥ sa cākṣuṣaḥ puruṣo darśanāya cakṣuḥ | atha yo vededaṃ jighrāṇīti sa ātmā gandhāya ghrāṇam | atha yo vededam abhivyāharāṇīti sa ātmā abhivyāhārāya vāk | atha yo vededaṃ śṛṇvānīti sa ātmā śravaṇāya śrotram || CU 8.12.4 || [1]

Where the eye gazes into space, that is the puruṣa of the eye. The eye is for seeing. The one who experiences "let me smell this" is the ātman. The nose is for smelling. The one who experiences "let me say this" is the ātman. The voice is for talking. The one who experiences "let me hear this" is the ātman. The ear is for hearing.

atha yo vededaṃ manvānīti sa ātmā | mano 'sya daivaṃ cakṣuḥ | sa vā eṣa etena daivena cakṣuṣā manasaitān kāmān paśyan ramate ya ete brahmaloke || CU 8.12.5 ||


The one who experiences "let me think this" is the ātman. Mind is its divine eye. [The ātman] sees the delights and
pleasures of the world of Brahmā, with this divine eye, the mind. [2]
Here CU is proposing that there is something other than the seen in the seen. In the seen we find 'the one who sees', which here is described as both puruṣa 'person' and ātman 'self' - the two are synonymous.[3] It is this ātman which, through the divine eye, sees the pleasures of the world of Brahmā/brahman (the word could mean either the creator god, or the universal essence; a distinction entirely lost in the Buddhist Canon). Elsewhere we find that this self is to be sought within the heart (i.e. through introspective meditation) and having once identified it, it becomes one's whole world (idaṃ sarvaṃ). The analogy I use is that when one falls in love, one's lover becomes one's whole world. We might also think of a meditator absorbed in samādhi, where the samādhi itself becomes their whole world.

Buddhist critiques of this kind of material are probably familiar to Buddhist readers. CU seems to propose that there is an 'entity' behind experience, an experiencing 'person' or 'self' which has the experiences. Discovering this self within oneself is what enables the seer to be liberated. However note that there is a discrepancy. The Brahmin does not aim to see the delights of this world. This is confirmed in many passages throughout CU as well as other Upaniṣads. Ordinary desire and the delights of this world are as much an anathema in the early Upaniṣads as they are in early Buddhist texts. The Brahmin ascetic aims at union with brahman, and thereby escape from saṃsāra. However the Buddhist criticism focusses on paying attention to delights of the senses. Is it because they deny the possibility of anything behind the senses, or have they just missed the point? I think it's not out of the question that the Buddhists simply did not understand the main points of the Upaniṣads and that the beliefs being criticised were not in fact held by Brahmins. Indeed as far as I can see such beliefs are not even attributed to Brahmins in the Pāli texts.

The Buddhist critique of ātman rests on the idea that, as an immanent aspect of brahman, it is substantial, permanent and makes us happy when we find it. Although the idea does not occur in the suttas, compare this description of nibbāna from the canonical Cūḷaniddesa:
Nibbānaṃ niccaṃ dhuvaṃ sassataṃ avipariṇāmadhammanti asaṃhīraṃ asaṃkuppaṃ.
"Nibbāna is permanent, constant, eternal, not subject to change, indomitable, unshakeable." [4]
Such a statement is common enough in Buddhism. How is this different? The essential difference here is that Buddhists assume Brahmins to be speaking literally, and take their own almost identical statements metaphorically. This assumption goes unchallenged amongst Buddhists. Why? I suggest that it is because of deep seated prejudices against, and antipathy towards, Hinduism. Our identity as Buddhists is bound up with rejecting Hinduism - even if only nominally. However I do not believe that the Brahmins were speaking literally. Rather, I'd say they were struggling to put into words their own meditation experiences, and were themselves inventing a new metaphorical language to do so, and rejecting their own 1000 year old traditions in the process. There's no a priori reason to assume unsubtly or stupidity on the part of Brahmins. In fact Brahmanical thinking of this period is scintillating and full of subtlety. A few centuries later the Buddhists of India adopted precisely the same kind of essentialist metaphor for tathāgatagarbha! Buddhists also posit a faculty other than the six senses—with no name I've been able to discover—which can discern nibbāna or "the Unconditioned" [sic] or "things as they really are". How is this different from the 'eye' which sees the brahmaloka? Note that Buddhists also adopted this Brahmanical idea of the brahmaloka, but again they took it literally. Which suggests that they simply did not understand the idea. The Buddhist criticisms of those seeking rebirth in the brahmaloka are wide of the mark, and more or less irrelevant from the point of view of the Upaniṣads. This is not to say that criticism is not possible, only that early Buddhist texts are wholly unconvincing in their criticism.

I am not suggesting that there is no difference in the doctrinal positions of Buddhism and Brahmanism. Clearly there are differences. However Buddhists have long exaggerated and distorted these differences. Modern Buddhists, like their ancient counterparts, seem largely ignorant of the Upaniṣads or the nuances in them. And as I come to better understand them myself, I am becoming increasingly doubtful about the idea that Buddhist doctrine is a reaction against Upaniṣadic Brahmanism: one can hardly react against what one is ignorant of. This raises interesting questions which I hope to address in the future.

For an inspiring and vivid account of the Brahmanical religion I heartily recommend this book:
William K. Mahoney. The Artful Universe: An Introduction to the Vedic Religious Imagination. State University of New York Press.
I must warn traditionalist Buddhists however: this book may cause you to experience sympathy and respect for Brahmins, which could be detrimental to your Buddhist faith.

~~oOo~~

Notes.
  1. Chāndogya Upaniṣad. Sanskrit text from www.sub.uni-goettingen.de.
  2. My translation follows Valerie Roebuck's which is more literal than Patrick Olivelle's.
  3. As an aside I would once again like to point out the mad way we capitalise these words when they are in a religious context. We want to say that 'Self' is somehow different from, more important than, 'self'. Capitalising suggests either something substantial (a thing), or something transcendental (beyond our ability to sense or understand). Sometimes, paradoxically, both . Neither is very helpful. The Sanskrit 'ātman' is ambiguous, and the ambiguity is part of the fun. If we try to make clear a distinction when our source text is (perhaps deliberately) ambiguous we are not doing justice to the text: ātman means 'body, and self, and the immanent aspect of brahman.' And especially in the early Upaniṣads all three meanings are found. If we try to fix it as one or other we lose nuances, and we may in fact obscure the meaning.
  4. The CST version of the Pāli Canon does not include PTS page numbers for this text. It is from the commentary on the Pārāyanānugīti gāthā from the Sutta-niptāta. CST p.201.

16 September 2011

Phenomenon

Music of the Spheres
music of the spheres
FIRST USED IN ENGLISH in 1570s the word phenomenon is traced back to the Greek phainesthai 'to appear, to seem' from phainō 'to show, to bring light'. For instance in The Odyssey, when marking the start of a new day, Homer often used the lovely phrase: phanē rhododaktulos Ēōs "Dawn's rosy fingers appeared". Phainō can also mean 'to make known' via the metaphor 'to see is to know'.

From the Greek come such words as fantasy, fancy, phantom, emphasis, and diaphanous. The PIE root is *bhā 'to shine'. Via Germanic cognates we get words such as banner, beacon, berry. In Latin a phantasma is the name for an apparition or spectre. Also via Latin we get epiphany, sycophant, hierophant. The root goes into Sanskrit as bhāsati 'to shine' and prabhā 'shining' and vibhāta 'shining forth'.

In English the meaning of phenomenon varies according to the context but basically it refers to the something known through the senses rather than by the intellect or reason. It can also mean any kind of observable event. Of course a Buddhist definition of phenomena, would include objects of the mind and observable mental events (not all such events are observable from within).

Phenomena are sometimes contrasted with noumena (from Greek noeō 'to perceive, to observe, to notice'; probably from a non-IE source since there are no other attested forms, and no PIE root). Before Kant philosophers took noumena to be synonymous with Plato's ideal forms. Plato likened human perception to seeing shadows cast on the wall of a cave, suggesting that we don't ever see the things that cast the shadows, i.e. the ideal forms (this gives us the label 'Idealist'), or presumably the light which illuminates them. In Kant's philosophy the appearance of thing (phenomenon) is contrasted with the 'thing in itself' (German Ding an sich) or noumenon, and, according to Kant, noumena are not directly perceptible, we can only intuit their existence from appearances - hence his philosophy is called Transcendental Idealism. Other philosophers hold that noumena can be perceived by the intellect, or pure reason, which might appear to make them akin to the Buddhist notion of the mental sense objects (dharma), however the differences are great enough to warn us off suggesting noumena as a translation. Although most Buddhist traditions would deny the possibility of noumena outright, some Buddhists find it hard to let go of the notion that there is something beyond phenomena, a transcendental reality, which can be experienced "directly".

The adjective noumenal (related to noumena) is sometimes conflated with the adjective numinous, though the latter is from a different root. 'Numinous' is mainly used by theologians to suggest the felt presence of God. This word comes from the Latin numen 'divine will'. Ultimately we can trace it to the PIE root *√neu "to nod"; and it suggests ascent by a nod of the head. A related English word is innuendo.

Because dharma/dhamma is often used in the sense of an object of the senses, particularly the mind-sense (manas), and because it can mean 'a thing', or 'an item' we often translate it as 'phenomenon'. The fit is not exact however. Dharma comes from the root √dhṛ 'to hold, to support'. There is a word which would be well translated by phenomenon and that is vedanā. The root of this word is √vid 'to know, to find' and is regularly used in words to do with knowledge such as veda 'sacred knowledge' and vidyā 'secret knowledge'. We often translate these Indic words with English from the same root, i.e. wisdom 'experience and knowledge combined with the ability to judiciously apply them'. Vedanā then is 'the thing known', in effect it is 'what appears', i.e. the phenomenon. Though again Western thinkers don't typically include mental objects under the rubric of phenomena.

Vedanā is often translated as 'feeling' because in Buddhist doctrine it is associated with pleasure and displeasure (sāta/asāta or sukha/dukkha), leading to attraction and repulsion. I tend to translate 'sensation' because 'feeling' allows for vedanā to be confused with emotions which are colloquially also called 'feelings'. We could say that emotions have a felt component, and a cognitive component. A feeling without a corresponding thought process is possible, but it is usually hard to know what to make of it. In modern terms the feelings of pleasure and pain associated with sensations are part of our internal sense network which includes proprioception, the inner-ear balance organs, the viscera and digestive tract, and other sources of information from within the body itself. We sometimes talk about 'raw sensations' in Buddhism, but this is a bit of a misnomer because even in Buddhist psychology a lot of complex processes have to be active in order for us to become aware of a sensation. What in effect we mean by raw sensation is the vedanā before it gives rise to craving or aversion. To experience this we have to be relatively detached from pleasure and pain.

From the Buddhist point of view one of the important things about vedanā is that it arises in dependence on conditions. It is said to arise when there is contact, and contact occurs when sense faculty meets sense object giving rise to sense consciousness - and the three together constitute the condition for the arising of vedanā. We see a crucial difference in the Buddhist and Western approaches here. The Western intellectual tradition sees our internal world as subjective, as synonymous with the subject. Buddhists see this as a mistake. The subject is involved in creating experience, but only in active interaction with the object. Experience itself then is neither subjective nor objective; it is not a function of either alone, but of the interactions of the two together. I have observed before that this technically means that early Buddhist thought is dualistic - it acknowledges that subject and object are two different things. This is a metaphysical position, and it has wide ranging implications should we choose to follow them up, but the authors of the suttas never did.

Buddhism in the West is still in the process of settling on terminology. Perhaps for the first time in history a culture is having to deal with multiple competing forms of Buddhism which are using radically different oriental vocabulary e.g. Indian, Tibetan, Chinese, Japanese, Thai and Korean. Of these languages only Japanese and Korean are even remotely related (and the relationship is remote in this case). Phenomenon and it's counterpart noumenon are widely used, but the discussion about suitability has yet to really take place. I'm reasonably well versed in Indian Buddhist terminology, but I find I cannot read books on Tibetan Buddhism because they use another set of terms with may neologisms that I don't understand. Similarly I often flounder when reading about Japanese Buddhism. Buddhist jargon is often impenetrable, even to Buddhists.

I'm all in favour of just ditching traditional jargon and Buddhist Hybrid English (English vocabulary with Sanskrit syntax) that doesn't make sense. Perhaps it is time to drop all the words and have a new attempt at describing the procedures of Buddhism, and the experiences that result? A word like phenomenon shows that it won't be easy, because words come with baggage. On the other hand we are constantly redefining words: think of terrific (i.e. terrifying OEtD), or silly (originally 'happy, blessed' OEtD). It suggests that there will be a role for philologists—those people who tell us what words mean, and why they mean that—in Buddhism for a long time to come.

~~oOo~~
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